The Course
What are the responsibilities of the media in a democratic society?
The classic answer is that a healthy democracy demands an informed citizenry, and therefore an informative
media is crucial. But how do we square this ideal with the fact that media is big business? Can democratic
ends be well served when most media outlets are owned by a handful of for-profit corporations? Do
blogs constitute an energetic, democratic challenge to the business of media, or are they becoming just
another venue for advertising, rumor, and entertainment? If news has historically played a pivotal role
in the relationship of media and democracy, will it continue to do so in the coming decades? We will
address these questions and more by analyzing scholarly books and articles, advertisements, newspapers,
newscasts, films, documentaries, and blogs.
While the topic of this course is the role of media in our society, it is
important to note that the main purpose of Humanities 1 is to work on your critical thinking,
writing, oral communication, and library research skills. If you need practice in
these areas, you will find it. If you are already a strong writer, speaker,
and researcher, you will have the opportunity to make yourself even better.
Aims and Objectives
This course aims to:
- Develop a community of learners mutually engaged in the process of inquiry.
- Support students' development as critical thinkers and writers.
- Contribute to students' reflection on the relevance of their lives to larger
society (see the HMC mission statement.
- Encourage the development of increased self-knowledge, humane concern
for society, and an examined and evolving set of values (see the
Humanities and Social Sciences Advising Handbook, page 1,
for the department's mission.).
Students who complete this course should be able to:
- Develop and articulate clear and defensible theses related to course themes.
- Integrate evidence from course readings, class discussions, and outside research
to support their theses.
- Respond critically to others' perspectives.
- Demonstrate their ongoing engagement in the process of inquiry.
Books
- Lunsford, The St. Martin's Handbook (fifth edition, available at Huntley Bookstore)
- Schudson, The Sociology of News (available at Huntley Bookstore)
- Course Reader (available in through your professors)
Policies:
- Reading: It is your responsibility to complete all readings prior to the class meeting
when they will be discussed. Be sure to bring the appropriate text to class so that we can refer
to it during discussion.
- Films: We will view several films during the semester. In most cases, we will
show the films during class time. Where this is not possible, we will arrange one evening
showing of the film. If you cannot attend that showing, you must either borrow the college's
copy or rent the film yourself and watch it before we discuss it in class.
- Blogging: You are responsible for reading, watching, or listening to the news for
at least two hours each week. Spend your time with a variety of news sources, including the networks (ABC, CBS, MSNBC),
cable (Fox, CNN, CSPAN, BBC), the internet (Aljazeera.net, or blogs such as Daily Kos or The Drudge Report),
traditional print journalism (New York Times, Los Angeles Times, International Herald Tribune)
and newspaper web sites, or radio (National Public Radio, Pacifica, democracynow.org). Beyond your news
consumption, you must write a weekly web log, a 300-500 word reflection on a topic that you encountered in your
"newsing." Your blog must be posted by 11:59 PM on Sunday. For weekly topic suggestions and further instructions,
visit the Hum 1 Blogging Guide.
- Participation and absences: Because this class is conducted as a seminar, it is
necessary that you attend and speak up regularly. Your final grade will be reduced if you amass
more than three unexcused absences during the semester. If speaking in public is not your
favorite activity, please talk to us early in the semester about strategies for becoming more
comfortable when addressing your fellow students.
- Submitting written work: All work must be submitted on time and in the assigned format.
Extensions will be granted only in case of illness or emergency. Late papers will be penalized,
but they will always get some credit, no matter how tardy.
- Peer editing: Before each paper is due, you will exchange first drafts with a
classmate and give each other feedback on what you have written. It is essential that you
bring a completed draft of your paper to these sessions (see the assignment schedule below
for dates). Further instructions concerning the peer editing process will be given during
class.
Participation:
We want to see evidence that you are intellectually
engaged in this class. We recognize that your engagement might differ in character
from someone else’s. Your day-to-day contributions to class discussion will be
important, of course, because they will show us that you have been reading and thinking
about the assignments. But your peer-editing efforts, in-class writing, homework, and so
on will also help determine this portion of your grade.
Writing:
While the course handbook contains a huge amount of useful information about grammar,
mechanics, style, and argumentation, Professor Alves, a member of the Humanities 1 faculty,
has also prepared some brief writing guides for your use:
During the semester, you will write three analytical papers the last of which will incorporate
library research. You will revise two of these papers for credit. The first paper must be in
the 1,200 to 1,500 word range; the second in 1,800 to 2,200; and the third in 2,400 to 3,000. All
parts of the main body of your paper—headings and title, all prose, and quotations—are
included in the word count. Footnotes, endnotes, illustrations, figures, tables, and charts, however,
are not included.
You will revise your writing at various times and in various ways over the semester:
during in-class writing and peer-editing sessions; during office meetings with your
instructors and tutor; for the two graded revision exercises; in preparation for
the portfolio; and, for many of you, during visits to the Writing Center.
At the end of the semester, you will turn in a portfolio that consists of your three
papers--each of them very carefully revised, and some multiple times--and a two-page introduction. Your portfolio will be assessed by one of your instructors and
by an outside reader drawn from the Humanities 1 staff. If the portfolio is judged weak or unacceptable
to the outside reader, the instructor will submit it to a second reader for another evaluation. Your
instructors will weigh these outside evaluations heavily in assigning final grades for the portfolio
and the course.
You will submit your papers to the appropriate reader as e-mail attachments no later than 2:00 pm
on the days they are due. We will grade your papers on-screen and return them to you as e-mail attachments.
Papers must be submitted as Word files. Name your files using the following format: “first initial
and surname” + “paper” or “revision” + “appropriate number.”
For example: jgroves revision 2.
The HMC Writing Center
The HMC Writing Center can help you with all
of your writing assignments, and we encourage (and may on occasion require) you to use the services
offered there.
This fall, the Writing Center will offer a series of workshops that are timed to your writing assignments:
- September 12: Thesis workshop.
- September 14: Thesis workshop.
- October 3: Building a paper from a thesis.
- October 5: Building a paper from a thesis.
- October 19: Revision workshop.
- October 31: Research paper workshop.
Each workshop will be held from 7:00 to 8:00 pm in Thomas-Garrett 101. We strongly encourage you to attend.
Grades
We will grade papers on a High Pass, Pass, No Pass basis. Final grades of High Pass, Pass, or NC will be
based on the number of points you accumulate during the semester. You must have at least 75 points AND
submit a passing portfolio in order to complete the class. To finish the course with a High Pass, you
must do exceptional work in all categories. Point values are as follows:
| Papers |
35 (9, 12, and 14 points) |
| Research paper proposal and bibliography |
5 |
| Revisions |
10 (5 points each) |
| Portfolio |
20 |
| Blogs |
10 |
| Presentation |
10 |
| Participation |
10 |
Semester Schedule
|
Monday |
Tuesday |
Wednesday |
Friday |
1. 8/28-9/1 |
Summer ends. |
Introductions; overview of the course; the syllabus; student blogs; plagiarism. |
Change in the media: what's at stake? (R) Bagdikian. "Preface"; (R) Lopez, "Free the Press." |
A historical introduction to the business of news. Schudson, Sociology of News, chs. 1 and 4. |
2. 9/4-8 |
The "wall" between editorial and advertisement. (R) Kitty, "Definitions"; Sunday Los Angeles Times. |
Advertising. (R) Silverblatt, "Advertising." |
Advertising, image, and the myth of photographic truth. (R) Sturken and Cartwright, "Practices of Looking." |
Ideology and advertising. (R) Sturken and Cartwright, "Consumer Culture and the Manufacturing of Desire." |
3. 9/11-15 |
7:00 pm showing of Maquilapolis (place tba). |
Discuss film. In-class writing: topic generation. |
Building a film vocabulary. In-class writing: topic refinement. |
Introduction to peer editing; thesis development. |
4. 9/18-22 |
Paper 1: peer editing. |
All the President's Men. |
Paper 1 due. All the President's Men. |
All the President's Men. |
5. 9/25-29 |
Schudson, Sociology of News, chs. 2, 3, and 5. |
Schudson, chs. 6 and 9. |
Schudson, chs. 10 and 11. |
(R) Creeber, "News." |
6. 10/2-6 |
Preparing for comparative content and bias analysis. |
Presentation teams meet with instructor. |
Presentations, groups 1 and 2. Topic generation. |
Presentations, groups 3 and 4. Thesis development. |
7. 10/9-13 |
Paper 2: peer editing. |
Outfoxed. (R) Reina, "The Memo." |
Paper 2 due. Outfoxed. |
Revision workshop. |
8. 10/16-20 |
Fall break. |
Fall break. |
Revision workday. |
Revision 1 due by 5:00 pm. |
9. 10/23-27 |
Preparing for the research paper topic, proposal, and bibliography. |
Library workday, Honnold Library. |
Library workday, Honnold Library. |
Research paper proposal due by 5:00 pm. Library workday, Honnold Library. |
10. 10/30-11/3 |
Library workday, Honnold Library. |
Propaganda. (R) Cohen, "Propaganda from the Middle of the Road." |
Propaganda and public relations. |
Annotated bibliography due by 5:00 pm. Optional library workday. |
11. 11/6-10 |
Contemporary issues of press freedom. |
Research workday; individual meetings (bring working outline). |
Research workday; individual meetings (bring working outline). |
Research workday; individual meetings (bring working outline). |
12. 11/13-17 |
Paper 3: peer editing. |
Control Room. |
Paper 3 due. Control Room. |
Control Room. |
13. 11/20-24 |
Revision workday. |
Revision workday. |
Revision workday. |
Thanksgiving break. |
14. 11/27-12/1 |
"Debriefing" the research paper; preparing for the portfolio. |
Revision 2 due. Blogs, non-mainstream media, and zines. |
Blogs, non-mainstream media, and zines. |
Revision workday. |
15. 12/4-8 |
Portfolio introduction workday (meet in the PC Lab). |
Portfolio workday. |
Portfolio introduction peer editing. |
Course evaluations. Portfolios due by noon. |
|